All posts filed under: Eye On

My Small Land feature image

My Small Land

Published by Ben Dimagmaliw

Sarya has lived in Japan since she was five. She pretends to be German to her friends, which is easier than telling the truth. In reality, Sarya’s parents are Kurds who travelled from Turkey to Japan as refugees. Furthermore, she is responsible for her younger siblings while her father is at work. Despite the hardships, the future seems bright and soon, Sarya will be attending college. A tender relationship develops with her work colleague Sota, and her own feelings begin to surface. All Sarya wants is a completely normal life. However, when her father’s application for asylum is denied, she is increasingly torn apart. (Berlin International Film Festival 2022) Kawawada Emma Kore-eda Hirokazu’s Bun-Buku Productions has been nurturing directors in recent years, Nishikawa Miwa of course, but also documentary filmmaker Sunada Mami of Death of a Japanese Salesman and The Kingdom of Dreams and Madness; and most recently Hirose Nanako who debuted with His Lost Name and followed with the documentary Book-Paper-Scissors. Ibaraki Prefecture native Kawawada Emma studied theatre and film at Waseda University prior to joining Bun-Buku Productions in 2014. …

Intimate Stranger feature image

Intimate Stranger

Published by Ben Dimagmaliw

46-year-old Megumi is a single mother who works at a baby clothing store. Her beloved 17-year-old son, Shinpei went missing a year ago, and she has desperately been looking for him ever since. One day, a shady young man, Yuji approaches her, saying that he knows her son’s whereabouts. Trying to find a lead, Megumi invites Yuji to stay with her. While trying to deceive Megumi, Yuji discovers a dark secret that is beyond his imagination. (Festival Scope) Nakamura Mayu Nakamura earned her MFA at the Graduate film Program at New York University. Her first narrative feature was 2006’s The Summer of Sticklebackwhich premiered in the competition section of the Busan International Film Festival. She then moved into documentary filmmaking with the feature Lonely Swallows-Living as the Children of Migrant Workers which followed Japanese-Brazilian children struggling to survive in Japan and Brazil. It won the Documentary Grand Prix at the Brazilian Film Festival. Her next documentary was Alone in Fukushima which focuses on a man who has stayed in Fukushima’s nuclear zone to attend to animals left behind there. She recently …

Nighthawk's First Love feature iamge

The Nighthawk’s First Love

Published by Ben Dimagmaliw

Graduate student Aiko has a conspicuous facial birthmark that made her a target of bullying as a child and sapped her confidence as a woman. When a book partly based on her life is adapted to film, she falls for its director. However, her feelings are not reciprocated. Yasukawa Yuka A native of Nara Prefecture, Yasukawa had an interest in movies and paintings when she was younger, and counts Bergman, Fassbinder and Kurosawa Kiyoshi as her influences. She enrolled in Osaka College of Art and Design where she studied film and video production. After directing several short films, she won a grant from CO2 (Cineastes Organization Osaka) to make her feature-length directorial debut, Dressing Up. The movie dealt with a 7th grade girl opening a Pandora’s Box of secrets about her mother as she herself struggles to gain control of her own being. The movie won the Grand Prix at the 14th TAMA NEW WAVE in 2013 and in 2015 Yasukawa self-distributed its release in theaters nationwide. She then won the 25th Japanese Professional Movie Awards …

Ito feature image

Ito

Published by Ben Dimagmaliw

Ito Soma is a high school student in Hirosaki City, Aomori. Her hobby is playing the Tsugaru shamisen, a three-string instrument that is popular in her home prefecture. She picked up the skill from her late mother, a talented shamisen player in her own right. While Ito can express herself through music, talking is a little harder due to shyness, which, when coupled with her strong Tsuguru dialect, makes it hard for her to communicate. And so she has few friends but, despite this, she has a strong inner spirit and she makes a big decision to start a part-time job at a maid cafe, much to the concern of her father Koichi. With every meeting that Ito has, her confidence begins to grow. (Osaka Asian Film Festival) Yokohama Satoko Born in Aomori Prefecture, Yokohama studied filmmaking at the The Film School of Tokyo. She made her directorial debut with Chiemi-chan to Kokkun Batcho in 2005 which won Best Film at the CO2 Open Competition. The grant she earned helped her make her second feature German + Rain which …

Aristocrats feature image

Aristocrats

Published by Ben Dimagmaliw

Hanako and Miki come from different walks of life. While Hanako has enjoyed a privileged upbringing and a luxurious lifestyle, filled with social functions among Tokyo’s wealthy elite, Miki has had to blaze her own path, coming to the capital from a small town and building a career in event planning. Yet, neither woman can be said to be completely free from troubles; Hanako’s familial pressures to marry and follow standards of behaviour are equalled by Miki’s financial problems which force her to drop out of a prestigious university. When their paths are set on a collision course over the affections of aristocratic lawyer Koichiro, both realise that there may be another path available to them. (Institute of Contemporary Arts) Sode Yukiko Screenwriter and director Sode Yukiko has made three features since 2008. Her debut Mime-Mime premiered at the Vancouver International Film Festival. She directed her second feature in 2015, Good Stripes, which examined Japan’s modern practice of couples committing to marriage only after there’s a pregnancy. In 2020 she made her third feature, Aristocrats. Drawing on Yamauchi Mariko’s novel …

Secret Breaths feature image

Secret Breaths

Published by Ben Dimagmaliw

Yuriko had been violently hurt by love and has given up on everything. She ends up wandering around an island where she meets a strange man, Iwai, who is renting out a room at his house for 500 yen a day. Deciding to stay at Iwai’s house that night, Yuriko peeks in on Iwai and spies his closet actions that comes across as if he’s clinging on to a past love. Despite ridiculing Iwai, she is intrigued and continues to live with him as if nothing happened. She passes the day peacefully with Iwai, but at night peeks in on his intense acts. Why does he do what he does? Ultimately, Yuriko’s desires spur her to surprising actions of her own and their lives take an unexpected turn.  Murata Yui Given the Hokkaido-born actress’ early filmography, appearing in such J-cult classics as Helldriver and Yakuza Weapon, Murata Yui might have become one of Japan’s cult movie queens. But she diversified and also appeared in indie fare such as Imaizumi Rikiya’s ensemble Same Old, Same Old. Recently she was one …