All posts tagged: CO2


Eriko, Pretended

Millennials and the possible Japanese counterpart “Yutori Generation” [used describe a children brought up and educated in a non-pressure system in response to the stress and overburden placed on them to achieve] have been oft maligned by their elders for poor work attitudes, a sense of entitlement, and a narcissistic streak. Whoever is to blame and the solutions which are needed are a discussion for some other blog, but key to both is how said generation views itself and filmmakers in their 20s are beginning to take a look at who they are and where they are going. Eriko, Pretended from writer/director Fujimura Akiyo a graduate of Meiji Gakuin University and the New Cinema Workshop film school, looks to be a standout entry in this sphere primarily for its set up and development. Ten years ago, Eriko left her provincial town and headed for Tokyo in pursuit of her dream of being an actress, though has nothing to show for it except a bit part in a commercial beneath a rabbit costume. Nevertheless, she tells …



Suzuki Yohei’s Ow has been one of those movies that seemed to have slipped through the cracks, or perhaps been a bit ahead of its time. After getting made as a 9th CO2 grant movie, it was completed in 2014. Only now, three years later, will Suzuki’s efforts finally see a domestic release. This might be a good time, then, to revisit this unique entry in Japanese indie films in commeration of its July opening in Shibuya. Described as an indie “whatsit” (as opposed to a “whodunnit”), or a blackly comic episode of ‘The Twilight Zone’, Suzuki’s movie defies easy categorization. In fact, in their review of Ow, Slant Film used Spielberg and Jarmusch in the same sentence to praise Suzuki’s deft direction as possessing a “Spielbergian flair for capturing how the comforts and discomforts of cohabitation seem to nest within one another, as well as a Jarmuschian taste for mining social alienation for the occasional stray deadpan punchline.” (Chuck Bowen) Having his eyes opened to cinema by the genre movies of David Cronenberg and …


The Osaka Asian Film Festival: Beacon in the West

East and West, two directions on a compass which have often taken on much more significance than their navigational meanings. On a macro-scale, the differences between the two play out on an entirely different stage, becoming equally representative of global ideologies. On a micro level, the terms can be more innocuous. Take for example, Los Angeles and New York; representative cities of the east and west coasts of the United States. One could travel from one city to the other in a few hours, but the cultural distance between the two is likely far wider. New York’s high-rise, hustle-and-bustle metropolis is a far cry from the laid back, urban expanse stitched together by miles of congested freeways that is Los Angeles. New York is the capital of theatre. Los Angeles is the home of Hollywood. New York is a melting pot of ethnicities, while it could be argued Los Angeles is more a fusion of cultures. The rivalry and differences between Japan’s Kanto (East) region and Kansai (West) regions, particularly between the cities of Osaka …