All posts tagged: Documentary

Eye-On-Samurai-and-Idiots

Samurai and Idiots–The Olympus Affair

The whistleblower has often provided movies with an underdog character whom audiences can root for such as Russel Crowe’s character in Michael Mann’s The Insider. In 2002 Time magazine’s Persons of Year were three women, real whistleblowers who exposed FBI intelligence failures as well as corruption at corporate giants Enron and WorldCom. They were hailed as heroes for defying the larger entity to which they belonged in order to expose truth . In 2011, then president and CEO of the Japanese Olympus Corporation, Michael Woodford, blew the whistle on a 1.7 billion dollar fraud the company kept secret for more than two decades and was abruptly dismissed from his post by the board of directors citing “cultural differences” in management style. Instead of being hailed a hero, the few Japanese media that bothered to cover the story used the angle of this just being another example of a foreigner failing to adapt to the Japanese way. The international press, however, reported a brewing scandal in which Woodford’s ousting was done to damage control the effect …

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Art of Persistence

For many, movies are manufactured reality, a stylized representation of it even if based on factual events. True situations are the purview of documentaries. However, the filmmakers at Supersaurus, producer, Ochiai Atsuko (pictured), and director, Sakaguchi Katsumi, have pursued an unconventional authenticity in their storytelling which have not so much blurred the line between fiction and non-fiction, but warped their defining spheres. Established in 1999, Supersaurus–named after the giant sauropod in reference to their desire to plod on making movies until their extinction–has released only six movies in their 18 year history. Each dealing with human dilemmas, their filmography serve as both snapshots of people’s lives, and also mnemonics of the best and worst qualities of humanity. They accomplish this by employing a kind of home movie immediacy, no doubt a function of their small, independent budgets as well as Sakaguchi’s background as a director of over 100 television documentary news programs. His camerawork is intimate, yet never overly “cinematic.” The cast are usually relative unknowns or first time actors, but with intimate understanding of …