All posts tagged: female director

Wasted Eggs Feature Image

Wasted Eggs

Junko is nearly 30, nearing the customary “best before” age of Japanese society, and is feeling stronger pressure from those around her. Without a significant other or even a particular wish to have children anytime soon, she decides to become an egg donor; and not just for the free Hawaii trip that would be the prize if her candidacy is successful. At a counsellng session, she meets her niece Aki who has similar plans. Together, they soon see how competitive social and evolutionary rules can mess up the best human relationships, particularly when such rules are mixed with the fossilized attitudes of a society which is frantically hanging on to traditions. At the age of 32 when she completed Wasted Eggs, Kawasaki Ryo is almost certainly drawing on real experiences and feelings for a society that continues to pressure women to marry and raise children, and unfortunately many Japanese women still consider to be the epitome of femininity. The decision between having a career or having a family still beleaguers contemporary Japanese women, including filmmakers like …

Empty Feature Image

Empty

Watarase Machi is an extreme part-timer who bounces around a number of part-time jobs on mornings, afternoons, and evenings for 365 days of the year. One day at the Japanese pub where she works, Machi meets a reclusive artist named Yoshito who wants to use her as a model for a painting. Fascinated by Yoshito’s sketches, she begins living with him as they become further involved. Nevertheless, Machi comes to develop an odd feeling for the image of herself on Yoshito’s canvas.And then she meets an arts writer, Itogawa Yo and ends up conversing with him by parroting what she heard from Yoshito as if it were own thoughts. Yo becomes very interested in Machi and from that day forward she records her conversations with Yoshito and recites them back to Yo on their dates.Machi would have lived as a different person to Yoshito and Yo each, but on Christmas Eve just before the painting is completed, the situation takes a sudden turn. Director Nomura Nao produced this mid-length movie to complete her graduation from …

Rent a Friend Feature Image

Rent a Friend

Do platonic friendships between the sexes really exist? Despite a lack of personal experience, columnist Nasa thinks it’s possible. After a chance encounter with a charming friend-for-hire, she contrives to use his rented friendship to fuel a new article series exploring the topic. Intrigued by rented friend Sota’s concept of a “friendship-romance switch”, Nasa secretly sets out to test their individual limits but quickly finds herself in too deep. When Nasa’s vocalist roommate also finds an easy connection with Sota through their shared passion for music, a messy triangle blurring the lines of friendship and “something more” emerges. – (Australian Center for the Moving Image) Akiyama Mayu’s feature length debut is one of those movies that should be immediately relatable. Not quite a “battle of the sexes,” the movie does pose a question to the audience which has no right answer, but most likely opinions of which fall along gender lines. Akiyama, herself, was inspired by an article about “rental friends.” It prompted her to actually rent one herself whom she interviewed much like the protagonist. …

Blue Hour Feature Image

Blue Hour

30-year-old commercial ads director Sunada seems to have it all: a successful career, a kind husband, and a stylish Tokyo home far from her rural hometown. But everything is not as it seems behind-the-scenes as she grows disconnected from her husband and feels increasingly anxious about her career in a field women seldom rise to the top. In an attempt to escape her frustrations, she impulsively decides to go on a road trip to the hometown she broke free of so many years ago. Along for the ride is her high-spirited best friend Kiyoura, but her reunion with an alienated family will open old wounds and childhood memories that will only complicate matters further. The story of Sunada is not at all too uncommon. Most people in Tokyo are not from Tokyo, having moved there from other regions, some quite rural, lured either by the dazzle of big city life or the greater job opportunities available there. The fact this is probably true in many other countries as populations continue to shift from rural areas …

Eye-On-Orphans'-Blues

Orphans’ Blues

Ema exists in a world where summer seems to go on forever. Recently, she’s become rather forgetful so she always has a notebook handy, and there are all sorts of notes pasted everywhere at home as well. One day she receives a drawing of an elephant in the mail from Yan, a childhood friend from her days at an orphanage whose whereabouts are currently unknown. Hoping to see her dear friend again, Ema sets out on a journey to find Yan using the letter’s postmark as a clue. Along the way, she happens to run into Ban whom she’s known since childhood like Yan, and also makes the acquaintance of Yuri, Ban’s girlfriend. Having failed in their attempt to flee to Tahiti, Ban and Yuri slowly but surely become companions on Ema’s journey. Meanwhile, Ema’s feelings toward Yan are beginning to intensify as is her dread over her accelerating memory loss. Fukuoka born Kudo Riho decided to pursue filmmaking in her second year of high school. She had been moved by Nishi Kanako’s novel ‘Sakura’ …

Eye-On-She's-Gone

She’s Gone

Kotoko, a teenage girl who just entered high school, does not have any friends. School life, home, and even TV have been far from enjoyable for her lately. At school, the seat behind her is empty. Seto Sachi, the frail girl who sits there, is recovering from an illness in a hospital. Although they have never met, Kotoko knows her by her nickname “Satchan”. When asked by her mother whether she has made any friends at school, Kotoko tells her that she has made a friend named “Satchan.” From then on, Kotoko starts spending time with Satchan, an imaginary friend born out of a lie. The streets they walk, the parfait they ate together… Kotoko’s high school life means nothing without Satchan. Then one day, she finally meets the real Satchan in person – but at her funeral. Writer, director and editor Ogawa Sara is also an actress whom you might have seen in Innocent 15 or The Sacrament which garnered her a Best Actress award at Moosic Lab 2017. She is currently a student at Waseda University studying film …

Eye-On-Girls'-Encounter

Girl’s Encounter

Miyuri, a vulnerable adolescent, has been driven to the brink by pressures from her provincial school and university entrance exams as well as the viciousness of her classmates, who even toss away her only companion, a silkworm. But then a mysterious new student, Tsumugi, suddenly arrives and begins to spin webs of connection, aspiration, secrets, adventure and sensuality that transform Miyuri. But what secrets is Tsumugi herself hiding? And what, indeed, does a silkworm become when it grows up? (HKIFF Catalogue) A graduate of Toyo University’s Department of Media Communications, director Eda Yuka won consecutive audience awards at the Waseda Film Festival (as well as a Special Jury Prize) while a student. She is also an accomplished photographer who has been commissioned by fashion magazines such ‘ViVi’ among others since her graduation. Marking her feature length debut, Girl’s Encounter first drew attention when Miss iD 2016 Hoshi Moeka and model Motola Serina were cast and its budget was funded through crowdfunding. Its Japanese release achieved a rare two-month extended run through a fervent following which allowed Eda …