All posts tagged: female director

Eye-On-Manga-Tanjo

The Manga Master

Updated 2018/10/08: Added new trailer in anticipation of its World Premiere at the Tokyo International Festival The proliferation of manga across the globe has been one of the pillars of the Japanese government’s economic soft power initiative, “Cool Japan” which also works to spread Japanese culture internationally. Many Japanese are often surprised by how knowledgeable foreigners can be regarding many popular manga titles as well as the increasing number of tourists who flock to Japan to consume and experience manga culture first hand. That being said, the roots of the medium itself is most likely unknown to both Japanese and international fans alike. Revealing the little known history of manga is the aim of The Manga Master which is directed by Oki Moe who is helming her second feature. Her debut work, Firecracker Ideals was a purely independent spin on the contemporary morose of young people as they grow to see the wide disparity between their life idealized through youthful ambitions versus unwelcome realities. It was hailed as a confident movie capturing some of the …

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Tale of a Butcher Shop

There is a German documentary from 2005 titled Our Daily Bread. Without narration or much in the way of music, it brought to light with mesmerizing visuals the impact convenience and modern mass-production methods have had on the food we consume. The meditative quality of the documentary left reaction solely to the viewers, be it shock, disgust, amazement, etc. On first look, Hanabusa Aya’s 2013 documentary Tale of a Butcher Shop may well be the Japanese pseudo-companion piece. The local butcher shop remains a visible and well-loved part of many communities throughput Japan. But like everywhere, these are slowly disappearing feature of the landscape due to modernization and demands for meat to be sold at volume and for low prices. The Kitades are a family who live outside Osaka. They have been raising and slaughtering the cows they sell for meat at their small butcher shop for over 100 years. As the family embark upon their decision to close shop in response to competition from corporate supermarkets, the three butcher siblings contemplate life afterwards. By …

Eye-On-A-Crimson-Star

A Crimson Star

UPDATE 2 (Sep. 20, 2018) Added link to report on the press screening. UPDATE 1 (Aug. 23, 2018) Included brand new trailer released to coincide with its Raindance Film Festival competition berth. Also removed proof-of-concept short which has been taken offline now that the movie is slated for a December 2018 release. Filmmakers, particularly writer/directors, drawing on their personal lives to inform or even inspire the movies they direct is not uncommon. When leading a production crew and directing actors on one’s first few films, communicating what one wants based on one’s experiences more than likely aids in achieving the desired results. At the age of 19, director Igashi Aya directed her Toho Gakuen Film Techniques Training College graduate thesis, Tokeru. She stated the movie was the story she could make at that age as a young girl living in the Hokkaido countryside. Tokeru is an outpouring of her frustration at watching and hearing her classmates banal conversations and pointless ambitions. The emotional and adolescent confusion portrayed by the lead character as well as the …

Eye-On-Our-House

Our House

At its core Kiyohara Yui’s Our House is a story of two women. Seri is an adolescent girl living in an old house with her mother who Seri knows is planning to get remarried with her new lover. Sana is an amnesiac who is given sanctuary in the home of Toko, a woman seemingly harboring many secrets. Gradually, however, the movie begins to reveal why it won two awards at the Pia Film Festival, and earned screenings at the Berlin International Film Festival’s Forum Section and at the Lincoln Film Center in New York. With a high-concept usually found in science fiction and the forward thinking of an experimental movie, Kiyohara slowly begins overlapping these stories occurring in parallel as the boundaries between them become increasingly porous. Yet, nothing about it suggests it is a “genre” movie per se. Though there is a level of spookiness applied by Kiyohara as the occupants of the house begin to sense one another–no doubt attributable to her mentorship with Kurosawa Kiyoshi–the contrivance is primarily a form of storytelling. …

Eye-On-Amiko

Amiko

Rebellious teens and social rebelliousness have been and are an oft used theme in movies though some of the most memorable works were products of the social unrest of the 60s and 70s, both abroad and in Japan. While a fair degree of such movies are still offered by the independent scene abroad, much of the spirited filmmaking pioneered by such filmmakers as Kurosawa Kiyoshi, Sono Sion, Tsukamoto Shinya, and Ishii Sogo in the late 70s and 80s has all but vanished in Japan. So, when a movie that recaptures much of the feel of those bygone days emerges, not just stylistically but in terms of its content, people take notice. That the director of this movie is a 20-year-old young woman, the youngest ever to participate in the Forum Section of the Berlin International Film Festival, is further cause for excitement. Amiko is the story of a high school girl in a small provincial town who is absolutely convinced the Japanese have lost any sense of spontaneity. But a long conversation with Aomi, a …

Eye-On-Eriko-Pretended

Eriko, Pretended

Millennials and the possible Japanese counterpart “Yutori Generation” [used describe a children brought up and educated in a non-pressure system in response to the stress and overburden placed on them to achieve] have been oft maligned by their elders for poor work attitudes, a sense of entitlement, and a narcissistic streak. Whoever is to blame and the solutions which are needed are a discussion for some other blog, but key to both is how said generation views itself and filmmakers in their 20s are beginning to take a look at who they are and where they are going. Eriko, Pretended from writer/director Fujimura Akiyo a graduate of Meiji Gakuin University and the New Cinema Workshop film school, looks to be a standout entry in this sphere primarily for its set up and development. Ten years ago, Eriko left her provincial town and headed for Tokyo in pursuit of her dream of being an actress, though has nothing to show for it except a bit part in a commercial beneath a rabbit costume. Nevertheless, she tells …

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The Adventuress Spirit

The poster for Nishikawa Fumie’s The Azemichi Road depicts a young girl in school uniform captured ecstatically jumping mid-air on a country dirt road. It’s a pastoral image processed to resemble a painting that invites the viewer to speculate the story within. Though a poster is no means representative of the movie itself, in this case, the image does give insight into the Tokyo native. Nishikawa loved to draw manga and write stories in elementary school. She was studying to pursue that path when her eyes were opened to the wonder of movies during high school. Her ambition shifted from illustrating a picture to telling the story within it; to bring that image to life. It’s a fundamental component of her craft apparent in her graduate thesis at London College of Communication where she went after high school to study film & video production. Nishikawa wrote, shot, and produced While You Sleep. With its evocative title and simple premise of a teen awakening to family realities when her mother falls into a deep coma, the …