All posts tagged: high school teens

Eye-On-She's-Gone

She’s Gone

Kotoko, a teenage girl who just entered high school, does not have any friends. School life, home, and even TV have been far from enjoyable for her lately. At school, the seat behind her is empty. Seto Sachi, the frail girl who sits there, is recovering from an illness in a hospital. Although they have never met, Kotoko knows her by her nickname “Satchan”. When asked by her mother whether she has made any friends at school, Kotoko tells her that she has made a friend named “Satchan.” From then on, Kotoko starts spending time with Satchan, an imaginary friend born out of a lie. The streets they walk, the parfait they ate together… Kotoko’s high school life means nothing without Satchan. Then one day, she finally meets the real Satchan in person – but at her funeral. Writer, director and editor Ogawa Sara is also an actress whom you might have seen in Innocent 15 or The Sacrament which garnered her a Best Actress award at Moosic Lab 2017. She is currently a student at Waseda University studying film …

Eye-On-Girls'-Encounter

Girl’s Encounter

Miyuri, a vulnerable adolescent, has been driven to the brink by pressures from her provincial school and university entrance exams as well as the viciousness of her classmates, who even toss away her only companion, a silkworm. But then a mysterious new student, Tsumugi, suddenly arrives and begins to spin webs of connection, aspiration, secrets, adventure and sensuality that transform Miyuri. But what secrets is Tsumugi herself hiding? And what, indeed, does a silkworm become when it grows up? (HKIFF Catalogue) A graduate of Toyo University’s Department of Media Communications, director Eda Yuka won consecutive audience awards at the Waseda Film Festival (as well as a Special Jury Prize) while a student. She is also an accomplished photographer who has been commissioned by fashion magazines such ‘ViVi’ among others since her graduation. Marking her feature length debut, Girl’s Encounter first drew attention when Miss iD 2016 Hoshi Moeka and model Motola Serina were cast and its budget was funded through crowdfunding. Its Japanese release achieved a rare two-month extended run through a fervent following which allowed Eda …

Eye-On-She-Is-Alone

She Is Alone

High school student Sumiko jumped off a bridge on account of a certain incident, but failed in her attempt to kill herself. Having escaped the grips of death, she returns to school a few months later and soon begins terrorizing her classmate and childhood friend, Hideaki, upon learning he is secretly dating one of the teachers at their school. As Sumiko continues to antagonize and rebuff others, her actions steadily escalate…all for the sake of sustaining her own sense of peril. Director Nakagawa Natsuki graduated from the College of Arts, Rikkyo University and went to study filmmaking at the New Cinema Workshop. She then returned to Rikkyo enrolling in the Graduate Program in Body Expression and Cinematic Arts, Graduate School of Contemporary Psychology. Thereafter she entered the Graduate School of Film and New Media at Tokyo University of the Arts [TUA hereafter]. Though her school history suggests a constant academic pursuit of cinema, in truth the reason for her traversal through various programs was far more pragmatic. In an interview with SKIP City (where She Is …

Eye-On-Sayounara

Sayounara

High school student Yuki lived a peaceful, uneventful life until one day Aya, her classmate since middle school, is killed in a car accident. Her other classmates were at the beginning saddened by Aya’s death, but when a rumor Aya killed herself is spread, their sudden change in attitude causes turmoil among them. Yuki stands up to a classmate who is maligning Aya and as a result is ostracized by the rest of the girls in her class. Meanwhile, unexpected repercussions also begin to spread among the relationships of Yuki’s classmates. Ishibashi Yuho directed her first independent film while attending Toyo Gakuen University. Her 2015 short Bokura no Saigo was screened at numerous film festivals in Japan. She followed with several more short movies which have garnered attention in one form or another including 2016’s Sorekara no Koto, Korekara no Koto starring Imou Haruka all while working a number of part-time jobs over those years. Apparently still employed at a job unrelated to the film industry, making her debut feature was also fraught with the challenges of independent …

Eye-On-Amiko

Amiko

Rebellious teens and social rebelliousness have been and are an oft used theme in movies though some of the most memorable works were products of the social unrest of the 60s and 70s, both abroad and in Japan. While a fair degree of such movies are still offered by the independent scene abroad, much of the spirited filmmaking pioneered by such filmmakers as Kurosawa Kiyoshi, Sono Sion, Tsukamoto Shinya, and Ishii Sogo in the late 70s and 80s has all but vanished in Japan. So, when a movie that recaptures much of the feel of those bygone days emerges, not just stylistically but in terms of its content, people take notice. That the director of this movie is a 20-year-old young woman, the youngest ever to participate in the Forum Section of the Berlin International Film Festival, is further cause for excitement. Amiko is the story of a high school girl in a small provincial town who is absolutely convinced the Japanese have lost any sense of spontaneity. But a long conversation with Aomi, a …

Eye-On-The-Hungry-Lion

The Hungry Lion

The internet was once hailed as the “information super highway”; information would travel across vast distances at incredible speeds allowing people to have more access to more types of information than they ever had before. Today, however, the internet more closely resembles a battleground than a highway, with information becoming the barbs and arrows of the media and its consumers. It is becoming more difficult to differentiate fact from fiction. “Fake News” has probably come to be the defining phrase of 2017 and perhaps beyond. Director Ogata Takaomi was aware of the way the mass media was beginning to trade away its obligation to provide objective information for the sake of profitability and audience size long ago. His latest movie, The Hungry Lion throws into relief how the proliferation of convenient means to record and disseminate information across the vastness of the internet is not only turning us into prey, but potential predators as well thanks to a mass media that is packaging information for ready consumption by a hungry public. One morning, 18-year-old Hitomi’s …