Some movies are better experienced than talked or written about. They take advantage of the medium of cinema in ways that sometimes are forgotten by even the most experienced, respected filmmakers. Movies are a visual medium. They are meant to show rather than tell. The Night I Swam, a Japanese/French co-production co-directed by A Young Poet’s Damien Manivel and Hold Your Breath Like a Lover’s Igarashi Kohei, certainly seems to epitomize this. On paper, the story is described thusly: a 6-year-old boy is awoken by the departure of his father, a fisherman, every night when he makes his way to the market in town. Finding it impossible to fall back to sleep, the young boy draws a picture as the household slumbers and then slips it into his satchel. In the morning on his way to school, still drowsy, he strays off his usual path and wanders into the snow…. Visually, however, it is the young boy’s journey we are shown that is the heart and soul of the movie. Shot in the majestic snowy vistas of Hokkaido and completely devoid of …