All posts tagged: independent film

37 Seconds Feature Image

37 Seconds

Published by Ben Dimagmaliw

In order to escape her oppressive home life and stop working as a ghost writer, Yuma, a naive paraplegic comic book artist begins to illustrate for an erotic manga, but is told by the sympathetic editor to come back once she has some actual sexual experience. Yuma’ s first encounter with a male prostitute at a “Love Hotel” ends in disaster, but it is there that she meets Mai, a sex worker specializing in caring for the handicapped. And so begins Yuma’s unexpected journey of self-discovery. Not much needs to be written about director HIKARI’s feature film debut that hasn’t already been proven by the dozens of festival berths and awards it has been accumulating in addition to being picked up by Netflix for distribution. The result of almost three and a half years of research and interviews, 37 Seconds presents an honest, fresh look at a person with a disability that challenges the audiences’ preconceptions and perhaps even prejudices.  Beating out a hundred hopefuls in open auditions held across Japan, lead actress Kayama Mei is a …

Kiyamachi Daruma

Kiyamachi Daruma

Published by Ben Dimagmaliw

Katsuura once led the organization which dominated the town of Kiyamachi in Kyoto. 5 years ago his arms and legs were amputated in a certain incident and now receives care from Sakamoto, a young underling of the organization turned nursemaid. Katsuura makes a desperate living by using cutthroat harassment to corner his debtors and exact the money they owe. Then one day he tracks down the relations of the person responsible for the loss of his limbs. Sasaki Hideo who starred in Versus, Alive, and many of Kitamura Ryuhei’s movies branched into directing in the early 2000s. In 2015, he directed the live-action adaptation of Maruno Hiroyuki’s hard-boiled novel of the same name. Working off a script written by Maruno himself, Sasaki does not shy away from the extreme depiction of its main character, a quadruple amputee debt collector who pushes debtors to the pit of despair through malicious harassment, which invited controversy when the original novel was published. This is one of those rare, unflattering portrayals of a disabled person which so goes against “type” that …

Taste of Emptiness Feature Image

Taste of Emptiness

Published by Ben Dimagmaliw

High schooler Satoko lives a comfortable life surrounded by kind parents and close friends. An ever so small uneasiness begins to grow in her life. It’s an indescribable anxiety, and impulses she can not prevent. Satoko realizes that at some point she has become mired in an eating disorder. Not knowing the reason why, Satoko’s anxiety grows and steadily traps her as her relationship with family and friends also grow strained. Then one day in town she happens upon a dangerous seeming woman, Maki. Her interactions with Maki is a release for Satoko. Based on director Tsukada Marina’s actual experiences of suffering an eating disorder while a university student, her debut feature deals with a sadly universal problem throughout the world. But the movie does not aim to dwell on the disorder nor the motivations which engendered it. Though the heroine’s anguish is very much Tsukada’s own, she hoped to draw focus on what turned her on the path to recovery. As it turns out, she met a woman on whom the character of Maki …

Red Snow Feature Image

Red Snow

Published by Ben Dimagmaliw

Thirty years ago, a young boy disappeared amid mysterious circumstances involving a sociopath, her troubled daughter, and a devastating fire. Today, what is known of the tragedy is shrouded in a morass of clouded and fictionalised memories, stubborn silence, and well-rehearsed lies. When a journalist arrives intent on getting to the bottom of the long-closed case, a tinderbox of pent-up emotions and misplaced guilt ignites; a spiral of violence erupts from the clash of competing histories and debilitating psychological injuries. (Int’l FF Marrakesh) The first thing one will notice about Red Snow is its distinctive palette and cinematography. At face value this accomplishes to provide the crime-centered story a noir aesthetic, but it is also safe to say this director who originally worked in the short film format and in video art was also looking to visualize the muddled nature of human memory at the core of the characters’ psyche also essential to noir. Strong thematics and powerful imagery have been a hallmark for Kai who has co-directed several acclaimed short movies, while her solo directorial shorts have …

Life Untitled Feature Image

Life: Untitled

Published by Ben Dimagmaliw

On the fourth floor of an anonymous building, the lives of female escorts intersect as they wait for calls from their customers. Kano (Sairi Ito) has just joined the group. Quickly disillusioned, she nonetheless sticks around as an employee, managing bookings, cleaning up, and bearing witness to the lives of her coworkers. An eclectic group of women gravitate around the place, their lives “yet to be titled”, yet full of unspoken dreams, desires, heartbreaks and rivalries – all repressed in the face of the everyday misogyny inherent to the trade, and to Japanese society. (Fantasia Film Festival) There are more than a few reviews of Yamada Kana’s debut feature which reference the legendary filmmaker Mizoguchi Kenji in comparing how it differs from the “tradition” of brothel-set movies in Japanese cinema, specifically in how it portrays sex workers with dignity despite their lower social status and stigma of their profession. Other genres have served up the hooker, the call girl, etc. for more exploitive purposes. As Japan Cuts writes: “Portraying an industry frequently exploited in Japanese media …

Story Feature Image

2020 Belated News

Published by Ben Dimagmaliw

2020 has been a year for the books. Aside from the political and social elephants in the room, this year will go down in memory as completely unique, full of unexpected developments which have not been experienced in the past. As this pertains to Indievisual, the impact of the pandemic were twofold. First, the outset of COVID-19 put a stop to the entertainment industry, from film festivals to theatrical releases. With productions as well grinding to a halt, the very lifeblood of Indievisual also came to a standstill. Second, the circumstances removed the need for translation services causing –much like the rest of the world at the time–substantial professional insecurity. In mid-April, the Japan central government itself declared a state of emergency in lieu of a lockdown which it lacked the authority to impose as per its constitution. Anxiety deepened over whether the Japanese film industry would recover, and accordingly whether there would be any translation work for the remainder of the year. Then an odd thing happened. A month later, the state of emergency …