All posts tagged: low-budget filmmaking

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3ft Ball & Souls

When Harold Ramis and Danny Rubin had Bill Murray relive a single day repeatedly until he got the day right, the concept was so original and fresh the title of their movie is used to describe any story with a similar narrative device. Most recently, ‘All You Need Is Kill’ the Japanese manga and Edge of Tomorrow put a sci-fi spin on the concept by making the time loop a stratagem employed by the antagonists. However, this latest update and many others following the original were focused on the protagonist’s retries as a vehicle for personal development which ultimately breaks the cycle. The fresh and emotional spin director Kato Yoshio has put on the concept for his latest, 3ft Ball and Souls, is three characters are tasked with the maturity of another. Four troubled strangers, a fireworks craftsman, a first year residency doctor, a grief stricken mother, and a high school girl–the youngest among them–meet at online suicide club and decide to get together for the singular purpose of dying together. Fate intervenes, however, as …

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Art of Persistence

For many, movies are manufactured reality, a stylized representation of it even if based on factual events. True situations are the purview of documentaries. However, the filmmakers at Supersaurus, producer, Ochiai Atsuko (pictured), and director, Sakaguchi Katsumi, have pursued an unconventional authenticity in their storytelling which have not so much blurred the line between fiction and non-fiction, but warped their defining spheres. Established in 1999, Supersaurus–named after the giant sauropod in reference to their desire to plod on making movies until their extinction–has released only six movies in their 18 year history. Each dealing with human dilemmas, their filmography serve as both snapshots of people’s lives, and also mnemonics of the best and worst qualities of humanity. They accomplish this by employing a kind of home movie immediacy, no doubt a function of their small, independent budgets as well as Sakaguchi’s background as a director of over 100 television documentary news programs. His camerawork is intimate, yet never overly “cinematic.” The cast are usually relative unknowns or first time actors, but with intimate understanding of …