All posts tagged: SKIP City International D-Cinema Film Festival

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2022 Festival Season: Latter Half

Published by Ben Dimagmaliw

The first half of the festival season will often set trends (see the first part published on the blog site). Some of the movies featured at festivals early in the year will filter their way through various events held in the second half. Meanwhile, Japanese filmmakers will also be seeking entry into the late year festivals which are also searching to premiere yet undiscovered works, particularly many key domestic events as well as ones throughout Asia. There was a distinct celebratory air at many of the festivals which were putting their best foot forward toward a return to pre-COVID pageantry.

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2020 Belated News

Published by Ben Dimagmaliw

2020 has been a year for the books. Aside from the political and social elephants in the room, this year will go down in memory as completely unique, full of unexpected developments which have not been experienced in the past. As this pertains to Indievisual, the impact of the pandemic were twofold. First, the outset of COVID-19 put a stop to the entertainment industry, from film festivals to theatrical releases. With productions as well grinding to a halt, the very lifeblood of Indievisual also came to a standstill. Second, the circumstances removed the need for translation services causing –much like the rest of the world at the time–substantial professional insecurity. In mid-April, the Japan central government itself declared a state of emergency in lieu of a lockdown which it lacked the authority to impose as per its constitution. Anxiety deepened over whether the Japanese film industry would recover, and accordingly whether there would be any translation work for the remainder of the year. Then an odd thing happened. A month later, the state of emergency …

Beyond the Blue Feature

Beyond the Blue

Published by Ben Dimagmaliw

“Blue Mail” is a letter you receive from your future self. Is it a hopeful message? Or is it sad tidings of misfortune? A young man, Kagari, and a runaway girl, Yuki, meet under trivial circumstances. Both are burdened by a pain they are unable to forget but believing there must be something more ahead of them, they set out for Tokyo. Along the way their past and secrets catch up with them. Hiro Kenichiro has an interesting history. After studying abroad in Texas, he graduated from high school and entered Osaka University’s School of Dentistry. But while there, he began studying 3D graphics at Digital Hollywood and has since been involved in the production of many music and promotional videos. His filmography lists a number of independent shorts and features he’s been making since 2012, including two in English. Though he has been decorated for some, others are competent study pieces; Hiro gradually improving by consistently making movies. Beyond the Blue seems to the first fruits of such labors as evidenced by its competition …

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She Is Alone

Published by Ben Dimagmaliw

High school student Sumiko jumped off a bridge on account of a certain incident, but failed in her attempt to kill herself. Having escaped the grips of death, she returns to school a few months later and soon begins terrorizing her classmate and childhood friend, Hideaki, upon learning he is secretly dating one of the teachers at their school. As Sumiko continues to antagonize and rebuff others, her actions steadily escalate…all for the sake of sustaining her own sense of peril. Director Nakagawa Natsuki graduated from the College of Arts, Rikkyo University and went to study filmmaking at the New Cinema Workshop. She then returned to Rikkyo enrolling in the Graduate Program in Body Expression and Cinematic Arts, Graduate School of Contemporary Psychology. Thereafter she entered the Graduate School of Film and New Media at Tokyo University of the Arts [TUA hereafter]. Though her school history suggests a constant academic pursuit of cinema, in truth the reason for her traversal through various programs was far more pragmatic. In an interview with SKIP City (where She Is …

Toshiyuki Hasegawa: Mixing Business With Pleasure

Published by Ben Dimagmaliw

Hasegawa Toshiyuki means business. In the sense of being completely earnest in what he says or does, the description is certainly appropriate. However, sitting in a small cafe in Shimbashi where the first floor of a Bauhaus-esque office building has been converted into a shoutengai (a shop area) full of cozy eateries and pubs, and listening to him talk about goals he aspires to achieve, one can also perceive a penchant for seeing how connections between people can lead to opportunities. With regard to the vast landscape of the international film industry, his “people-centric” brand of business savvy is a welcome breeze in the otherwise stuffy confines of Japan’s all too self-congratulatory, sales-figures and awards fixated film industry. A graduate of Nihon University’s College of Art where he studied broadcasting, Hasegawa’s love of movies was born at an early age. One would imagine the titles which captured his interest during those formative years were more children’s fare like the Pippy Longstocking series, or Albert Lamorisse’s The Red Ballon, but this certainly wasn’t the case for …