All posts filed under: Eye On

Call of Zon Feature

Call of Zon

Published by Ben Dimagmaliw

20 years ago the town of Yumetoi was completely enclosed by the mysterious phenomenon known as “Zon”. There were people who impulsively went outside the Zon, but not a single one has ever returned. Now, no one in town would venture beyond the Zon. In a bar where several townspeople gather such as the bar’s proprietor Tsunemoto Michiko. waitress Karino Akira, seminar organizer Ninomiya Kenji, “post-Zon generation” youths Hazama Ippo and Ando Remi among others, the complex relationships of the townspeople unfold. Meanwhile, Hazama and Ando, who have never known the world outside of town from the day they were born, look at the Zon and ponder if anything still exists beyond it. One day, a strange VHS tape from outside the Zon reaches Nagare Kantaro who lives at the very edge of town. Hazama believes it is definitely some message from beyond the Zon and he begins to become captivated by the world beyond the Zon’s periphery. Originally shot in 2014 through the Film School of Tokyo, Suzuki Takuji’s film finally saw theatrical release …

Kuma Elohim Feature

Kuma Elohim

Published by Ben Dimagmaliw

Married couple Ayumu (Furuya Konosuke) and Ema (Murakami Yukino) live on a planet different from Earth. Almost all of the inhabitants of this planet, including Ayumi and Ema, were sent here by the religious group Hanukka Hill from an Earth in danger of depleting its oxygen.On this planet administered by Haukka Hill, childbirth is fervently advocated as it is said to be the most precious thing. People who have grown old become “sacrifices” and are cast away. Ayumu and Ema are without children. For them, their child is an infant doll. Ayumu continues to worry and anguish their inability to conceive a child is his fault. The actions finally taken by the troubled Ayumu will raise questions about family, blood relations, and the prosperity of a species. Director Sakata Takahiro graduated from the Nihon University College of Art’s Cinema program following in the footsteps of some of Japan cinema’s leading directors such as Ishii Gakuryu, Tominaga Masanori, and Irie Yu who also were educated there. The 23-year-old “troublemaker” appears to have a penchant for tackling …

Eye-On-Orphans'-Blues

Orphans’ Blues

Published by Ben Dimagmaliw

Ema exists in a world where summer seems to go on forever. Recently, she’s become rather forgetful so she always has a notebook handy, and there are all sorts of notes pasted everywhere at home as well. One day she receives a drawing of an elephant in the mail from Yan, a childhood friend from her days at an orphanage whose whereabouts are currently unknown. Hoping to see her dear friend again, Ema sets out on a journey to find Yan using the letter’s postmark as a clue. Along the way, she happens to run into Ban whom she’s known since childhood like Yan, and also makes the acquaintance of Yuri, Ban’s girlfriend. Having failed in their attempt to flee to Tahiti, Ban and Yuri slowly but surely become companions on Ema’s journey. Meanwhile, Ema’s feelings toward Yan are beginning to intensify as is her dread over her accelerating memory loss. Fukuoka born Kudo Riho decided to pursue filmmaking in her second year of high school. She had been moved by Nishi Kanako’s novel ‘Sakura’ …

Eye-On-She's-Gone

She’s Gone

Published by Ben Dimagmaliw

Kotoko, a teenage girl who just entered high school, does not have any friends. School life, home, and even TV have been far from enjoyable for her lately. At school, the seat behind her is empty. Seto Sachi, the frail girl who sits there, is recovering from an illness in a hospital. Although they have never met, Kotoko knows her by her nickname “Satchan”. When asked by her mother whether she has made any friends at school, Kotoko tells her that she has made a friend named “Satchan.” From then on, Kotoko starts spending time with Satchan, an imaginary friend born out of a lie. The streets they walk, the parfait they ate together… Kotoko’s high school life means nothing without Satchan. Then one day, she finally meets the real Satchan in person – but at her funeral. Writer, director and editor Ogawa Sara is also an actress whom you might have seen in Innocent 15 or The Sacrament which garnered her a Best Actress award at Moosic Lab 2017. She is currently a student at Waseda University studying film …

Eye-On-Girls'-Encounter

Girl’s Encounter

Published by Ben Dimagmaliw

Miyuri, a vulnerable adolescent, has been driven to the brink by pressures from her provincial school and university entrance exams as well as the viciousness of her classmates, who even toss away her only companion, a silkworm. But then a mysterious new student, Tsumugi, suddenly arrives and begins to spin webs of connection, aspiration, secrets, adventure and sensuality that transform Miyuri. But what secrets is Tsumugi herself hiding? And what, indeed, does a silkworm become when it grows up? (HKIFF Catalogue) A graduate of Toyo University’s Department of Media Communications, director Eda Yuka won consecutive audience awards at the Waseda Film Festival (as well as a Special Jury Prize) while a student. She is also an accomplished photographer who has been commissioned by fashion magazines such ‘ViVi’ among others since her graduation. Marking her feature length debut, Girl’s Encounter first drew attention when Miss iD 2016 Hoshi Moeka and model Motola Serina were cast and its budget was funded through crowdfunding. Its Japanese release achieved a rare two-month extended run through a fervent following which allowed Eda …

Eye-On-She-Is-Alone

She Is Alone

Published by Ben Dimagmaliw

High school student Sumiko jumped off a bridge on account of a certain incident, but failed in her attempt to kill herself. Having escaped the grips of death, she returns to school a few months later and soon begins terrorizing her classmate and childhood friend, Hideaki, upon learning he is secretly dating one of the teachers at their school. As Sumiko continues to antagonize and rebuff others, her actions steadily escalate…all for the sake of sustaining her own sense of peril. Director Nakagawa Natsuki graduated from the College of Arts, Rikkyo University and went to study filmmaking at the New Cinema Workshop. She then returned to Rikkyo enrolling in the Graduate Program in Body Expression and Cinematic Arts, Graduate School of Contemporary Psychology. Thereafter she entered the Graduate School of Film and New Media at Tokyo University of the Arts [TUA hereafter]. Though her school history suggests a constant academic pursuit of cinema, in truth the reason for her traversal through various programs was far more pragmatic. In an interview with SKIP City (where She Is …