All posts tagged: Documentary

I Quit Being Friends Feature Image

I Quit, Being “Friends”

Published by Ben Dimagmaliw

What is common sense to you, makes no sense to me. What is ordinary to me, is off-putting to you Worn out from reading too much into different situations, and unable to get along well with people, that’s Asperger’s syndrome Ma-chan. Having the appearance of understanding, but filled with agony inside, that’s me, the film director. From some petty misunderstandings, our relationship becomes strained, but, is it because of her Asperger’s? Or is it a problem with me? We have to try to understand each other…I have to try to be a good person…Ah, but! In order to stay friends with Ma-chan, I turned the camera on us, and began filming, but the answer I arrived at was, I quit being “friends”. Imamura Ayako shot her self-documentary Start Line to tackle her own frustrations at avoiding personal issues revolving her deafness–namely communication with people–by riding a bicycle across the length of Japan. Here she once again tackles human interaction by documenting her relationship with her friend who has Asperger’s Syndrome. Given Imamura’s own insecurities about her deafness, …

On the Road to Love Feature Image

On the Road to Love

Published by Ben Dimagmaliw

One day, film director Ishii Tatsuya (now Tatsujo Kuya) began documenting his life, spurred by a phone call he received from Fukuda Mei, his girlfriend of two years who tells him that he’ll someday regret not filming her. When Ishii visits her home with camera in hand the day after the phone call, she had lost her memory of the two years they’d been dating. Fukada was once admitted to a psychiatric ward after becoming emotionally unstable due to the deterioration of their relationship caused by Ishii constantly recording them. What Ishii’s camera ultimately had captured was the concept of true love through the raw images of Ishii and Fukuda completely laying themselves bare without hesitation or pretension. Issues of mental health and emotional well-being have been coming to the forefront in recent years. Before then, director Ishii Tatsuya (now Tatsujo) experienced a situation in which his then girlfriend suffered a mental breakdown after their relationship soured, partly perhaps of Ishii constantly documenting them with his camera. How ironic that this footage should then become …

Yamamoto Hyoe Interview Feature Image

Insider Looking Out – Yamamoto Hyoe

Published by Ben Dimagmaliw

Becoming a filmmaker requires specific skills. An understanding of and practical experience with film production techniques is a matter of course, however a non-English speaking filmmaker will also need to become English proficient if they aspire to the world stage. Unfortunately, the language barrier is still a daunting and significant obstacle for a large majority of Japanese filmmakers in 2019. Yamamoto Hyoe perhaps innately sensed the importance of learning English when he left Japan to attend high school in Massachusetts before entering NYU’s Tisch School of the Arts to study film production. Back in the mid-to-late 90s, this made him somewhat of a trailblazer if not an oddity, but doing so would give Yamamoto early insight regarding how filmmaking, like language, possesses a cultural component which can not be fully understood until one fully immerses oneself in that culture. From the creative process to business fundamentals, major and independent film production alike in the U.S. does differ from Japan’s idiosyncratic film industry–sometimes significantly. This education and experience is brought to the fore in Yamamoto’s debut …

Eye-On-Domains

Domains

Published by Ben Dimagmaliw

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. Structurally inventive, Kusano’s daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns. (IFFR 2018) Kusano Natsuka’s Best Director and SKIP City Award-winning debut Antonym is an intriguing character study of a relationship between opposites, of differences that define the other as the …

Eye-On-Criminal-Engravement

Criminal Engravement – A Young Tattoo Artist Challenges the System (Working Title)

Published by Ben Dimagmaliw

Why are tattoo artists getting arrested in Japan? Despite its rich history and tradition that dates back centuries, tattoo is one of the most divisive and controversial issues in Japan. A young tattoo artist stands up for his rights and dares to open Japan’s “Pandora’s box” that exposes a society that is fast becoming an undemocratic totalitarian state. Yamamoto Hyoe is following up his compelling documentary Samurai and Idiots – The Olympus Affair with another feature documentary this time focusing on a case barely being covered in local media. Once again approaching the issue from the standpoint of a Japanese who has also spent most of his life in America, Yamamoto is placing the spotlight on the impact this case may have beyond the reach of tattooing itself. Despite the popularity of Japanese-style body art abroad, tattooing still carries a negative stigma associated with the yakuza and therefore people with tattoos are often stereotyped as not being “upstanding” citizens. The stigma has also carried over into unscientific-like arguments over the sanitariness of people with tattoos which …

Eye-On-Gaika

Gaika (working title)

Published by Ben Dimagmaliw

The principal woman featured in this movie begins showing the initial symptoms of mottled spots on the skin at the age of seven. The onset of stupor beings when she is 10-years-old. She is diagnosed with leprosy at 22 and the following year in 1957 she is separated from her family before being mandatorily quarantined at the Tama Zenshoen Sanatorium. 10 months later she meets a man also quarantined there with leprosy and the two are wed. However, sanatorium rules at the time stipulated the castration of any male leprosy patient who marries another leprosy patient within the facility. The couple have no other recourse but to accept the rule for the sake of their married life together.  Director’s Statement I was very young when I first learned of leprosy. People said “get too close and you’ll be infected by the disease” so leprosy was a very scary sickness for me at that tender age. I became familiar with leprosy in a proper sense in 1999. I was involved as a director of a one …