All posts tagged: mid-length

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Watarase Machi is an extreme part-timer who bounces around a number of part-time jobs on mornings, afternoons, and evenings for 365 days of the year. One day at the Japanese pub where she works, Machi meets a reclusive artist named Yoshito who wants to use her as a model for a painting. Fascinated by Yoshito’s sketches, she begins living with him as they become further involved. Nevertheless, Machi comes to develop an odd feeling for the image of herself on Yoshito’s canvas.And then she meets an arts writer, Itogawa Yo and ends up conversing with him by parroting what she heard from Yoshito as if it were own thoughts. Yo becomes very interested in Machi and from that day forward she records her conversations with Yoshito and recites them back to Yo on their dates.Machi would have lived as a different person to Yoshito and Yo each, but on Christmas Eve just before the painting is completed, the situation takes a sudden turn. Director Nomura Nao produced this mid-length movie to complete her graduation from …

Eye-On-Yeah

Yeah

Ako, a resident of a housing complex, appears to have some sort of personal problem. As a consequence, she is unable to find her own apartment and has no choice but to keep wandering about the housing complex grounds. Sometimes, she begins speaking with inanimate objects as if they were people–a tree here, a bicycle there, but never people. What exactly is her problem, and where does she intend to go? Suzuki, currently residing in the Ibaraki Prefecture capital of Mito, got together with actress Yanagi Elisa (Capturing Dad, Rolling) and decided to shoot something together in Mito. With the determined support of staff members from his previous movie Ow and newly made acquaintances in Mito, Suzuki was able to shoot this distinctive work which once again looks to be demonstrating Suzuki’s penchant for eccentricity combined with satirical wit as in Ow. This not only makes for fascinating viewing, but simultaneously provides ample food for thought. YEAH world premiered at the International Film Festival Rotterdam in 2018 where programmers commented: “In this politically charged setting, …