Ako, a resident of a housing complex, appears to have some sort of personal problem. As a consequence, she is unable to find her own apartment and has no choice but to keep wandering about the housing complex grounds. Sometimes, she begins speaking with inanimate objects as if they were people–a tree here, a bicycle there, but never people. What exactly is her problem, and where does she intend to go?
Suzuki, currently residing in the Ibaraki Prefecture capital of Mito, got together with actress Yanagi Elisa (Capturing Dad, Rolling) and decided to shoot something together in Mito. With the determined support of staff members from his previous movie Ow and newly made acquaintances in Mito, Suzuki was able to shoot this distinctive work which once again looks to be demonstrating Suzuki’s penchant for eccentricity combined with satirical wit as in Ow. This not only makes for fascinating viewing, but simultaneously provides ample food for thought. YEAH world premiered at the International Film Festival Rotterdam in 2018 where programmers commented: “In this politically charged setting, Suzuki asks us to consider whether his countrymen are Ako, whose apparently aimless pursuit is still one that is committed, or if they [people who see Ako] are the ones obstructing her path.” It is interesting to note Japan Cuts categorized the film as “experimental” lending to the various ways YEAH can be and has been interpreted.